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16 | <h1>The Weak Must Die</h1> |
17 | <div class="contents"> |
18 | <dl> |
19 | <dt> |
20 | <a href="#sec1">Misc</a> |
21 | </dt> |
22 | <dd> |
23 | <dl> |
24 | <dt> |
25 | <a href="#sec2">Copyright Is Bad for Society</a> |
26 | </dt> |
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33 | <!-- Page published by Emacs Muse begins here --><p>Intermediate forms of thought which have been refined.</p> |
34 | |
35 | <h2><a name="sec1" id="sec1"></a> |
36 | Misc</h2> |
37 | |
38 | <h3><a name="sec2" id="sec2"></a> |
39 | Copyright Is Bad for Society</h3> |
40 | |
41 | <p class="first">Copyright is a tool used to placate publishers who feel that they will |
42 | make no money if things can be freely copied. Publishers, however, |
43 | contribute <strong>nothing</strong> of worth to our culture; they are mere middlemen |
44 | who print the creative work of others, and so their pleas should be |
45 | ignored.</p> |
46 | |
47 | <p>A short copyright term is acceptable, and worked in most of the world |
48 | for a few hundred years. As it stands now we have perpetual copyrights |
49 | (as in the Old World), and the cultural stagnation that affected |
50 | Europe then is now occurring today in most of the world. There are |
51 | many books published between 1917 and a few years ago that I would |
52 | love to read, but am unable to because they have not been printed (for |
53 | older books often in as long as 40 or 50 years). The albums of a few |
54 | bands I like are out of print now and I will be long dead before I get |
55 | a chance to purchase them (<em>if</em> copyright is not extended again, which |
56 | experience tells me will happen soon) because the record labels have |
57 | no interest in returning the masters to the band!</p> |
58 | |
59 | <p>What point is there to allowing copyright to exist on works which are |
60 | not being published? If their terms had expired there is a chance that |
61 | they would be being published by public domain publishing houses who |
62 | subsist on smaller margins. This would <a href="http://www.ippr.org/publicationsandreports/publication.asp?id=482">create real economic value</a>, and |
63 | more importantly great <strong>social</strong> value. Allowing art to rot is a |
64 | disrespect to human creativity and an immeasurable loss for all future |
65 | humans.</p> |
66 | |
67 | <p>I predict that in two or three hundred years there will be nearly no |
68 | record of any literature or art produced in the twentieth century. As |
69 | it stands today we have lost most of it with the exception of a few |
70 | trashy works which have become popular to the masses.</p> |
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100 | <p class="cke-footer">The body bags and little rags of children torn in two, |
101 | And the jellied brains of those who remain to put the finger right on you |
102 | As the madmen play on words and make us all dance to their song |
103 | To the tune of starving millions to make a better kind of gun. |
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104 | </p> |
105 | <p class="cke-timestamp">Last Modified: |
106 | March 13, 2008</p> |
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